Category: proceedings

I had the privilege of attending the annual South by South-west Interactive, Film and Music conference (SXSW) a few weeks ago in Austin, Texas.    I was there as part of the ‘Radically Open Cultural Heritage Data on the Web’ Interactive panel session, along with our fellow LODLAMers, Jon Voss, Julie Allinson from the University of York digital library, and Rachel Frick from the Council on Library and Information Resources (CLIR). We were well chuffed that Mashable.com picked up on it as one of ’22 SXSW Panels You Can’t Up This Year’.

I’ve written about our session and a few of the other sessions over the UK Discovery blog for those who wanting the full lowdown.

We live in a world of silos. Silos data. Silos of culture. Linked Open Data aims to tear down these silos and create unity among the collections, their data and their meaning. The World Museum awaits us.

It comes as no surprise that I begin this post with such Romantic allusions. Our discussions of vocabularies –  as technical behemoths and cultural artefacts – were lively and florid at a recent gathering of researchers library and museum professionals at LODLAM-NZ. Metaphors  of time and tide – depicted beautifully in this companion post by Ingrid Mason, highlight issues of their expressive power of their meaning over time and across cultures. I present a very broad technical perspective on the matter beginning with a metaphor for what I believe represents the current state of digital cultural heritage : a world of silos.

Among these silos lie vocabularies that describe their collections and induce meaning to their objects. Originally employed to assist cataloguers and disambiguate terms, vocabularies have grown to encompass rich semantic information, often pertaining to the needs of that institution, their collection or their creator communities. Vocabularies themselves are cultural artefacts representing a snapshot of sense making. Like the objects that they describe, vocabularies can depict a range of substance from Cold War paranoia to escapist and consumerist Disneyfication. Inherent within them are the world views, biases, and focal points of their creators. An object’s source vocabulary should always be recorded as a significant part of it’s provenance. Welcome to the recursive hell of meta-meta-data.

Within the context of the museum, vocabularies form the backbone from which collection descriptions are tagged, catalogued or categorised. But there are many vocabularies, and the World Museum needs a universal language. LODLAM-NZ embraced the enthusiasm of a universal language but also understood the immense technical challenges that follow vocabulary alignment and, in many cases, natural language processing in general. However, if done successfully, alignment does a few great things: it normalises the labels that we assign to objects so that a unity of inferencing, reasoning and understanding can occur across vast swathes of collections; it can provide semantic context to those labels for even deeper, more compelling relations among the objects and it can be used to disambiguate otherwise flat or non-semantic meta-data, such as small free-text fields and social tags.

Vocabulary alignment is the process of putting two vocabularies side-by-side, finding the best matches, and joining the dots.

In many cases, alignment is straight forward – a simple string match on the the aligned terms could be sufficient to create a match. However, as the above example shows, aligning can require a lot more intuition – ceremonial exchange from the Australian Museum’s thesaurus could map to the ceremonies, exchange and gift concepts from the Getty’s Art and Architecture Thesaurus. This necessary one-to-many relation, along with other possible quirks and anomalies such as missing terms, semantic differences between term use and interpretation, and the general English language bias of many natural language processing tools make such a task fraught with difficulty, especially when alignment occurs across vocabularies that address specific cultural groups.

The challenges of alignment are compounded when the source terms come from non-semantic sources, such as unstructured free text (labels, descriptions and comments) and user tags. Let’s say for example that someone has tagged an object with the term gold. Now, could they mean “this object is made of gold” or “this object has a golden colour”? The Getty’s Art and Architecture thesaurus has the term gold in both senses of the word. We could use a tool called SenseRelate::Allwords that gives us the correct WordNet concept (based on the context of an object’s description label) but then we need to align the WordNet gold to the AAT’s gold. Performing these two computations in a pipeline significantly increases the risk that the tag as ‘misinterpreted’ – or even worse, it’s original meaning and intention is skewed or lost altogether. Vocabulary alignment, if not done correctly, has the potential to dilute, skew, or destroy the meaning of its terms.

Over the past few years, elaborate algorithms have been developed to try and address these alignment challenges. However they often don’t work on the unpredictable and highly heterogenous nature of cultural data-sets, or their performance differs across and even within vocabularies. And when things do go wrong, problems are often hard to diagnose and even more difficult to solve.

But researchers have brought humans back into the equation. The idea is that, within the alignment process, machines do the heavy lifting and processing on very simple and straight-forward natural language processing tasks while humans fine tune the steps of the process until they are satisfied with their results. This paper, by Ossenbruggen et al., describes what they call interactive alignment. Their Amalgame tool allows humans to make judgements about the nature of the vocabularies being aligned, fine-tune parameters and analyse, select or discard matching results. This mixed initiative approach empowers both computers and humans to solve tough problems. Likewise, the  vocabularies (or ontologies within the computer science science realm), while encoded in bits and bytes, are only realised in the minds of their creators, their users and conversely, the people that interact with the objects.

The concept of meaning, understanding and encoding – and the crucial differences between the three concepts, seeded a reflective discussion at LODLAM-NZ. Even in light of the technical issues, how can we ensure accurate alignment that preserves the sense making of the objects from both their custodians and creator communities? What vocabularies do we use, what vocabularies should we align to and why? What are the dangers of doing this? We could not find the answers to these questions – to steal an anecdote from Michael Lascarides, the best we could do is create better questions, and more importantly, a broader understanding of alignment on both technical and social dimensions.

The following was cross posted on the Open Knowledge Foundation blog on 12/20/2011.

I recently traveled to Wellington, New Zealand to take part in the National Digital Forum of New Zealand (#ndf2011), which was held at the national museum of New Zealand, Te Papa. Following the conference, the amazing team at Digital NZ hosted and organized a Linked Open Data in Libraries, Archives & Museums unconference (#lodlam). The two events were well attended by Kiwis as well as a large number of international attendees from Australia, and a few from as far as the US, UK and Germany.

When it comes to innovative digital initiatives in cultural heritage, the rest of the world has been looking to New Zealand and Australia for some time. Federated metadata exchanges and search has been happening across institutions in projects like Digital NZ and Trove. I was able to learn more about the Digital NZ APIs as well as those from Museum Victoria, Powerhouse Museum, and State Records New South Wales. In fact, the remarkable proliferation of APIs in Australasia has allowed us to consider the possibilities of Linked Open Data to harvest and build upon data held in databases in multiple institutions.

Given the extent to which tools for opening access to data have been developed here, I was surprised by the level of frustration that exists around copyright issues. There’s a clear sense that government is moving too slowly in making materials available to the public with open licensing. We talked a lot about the idea of separately licensing metadata and assets (i.e. information about a photo vs the digital copy of the photo), as has been happening across Europe and increasingly the United States. There are strong advocates within the GLAM sector (galleries, libraries, archives & museums) here, and demonstrating use cases utilizing openly licensed metadata will go far in helping to move those conversations forward with policy makers.

To that end, a session was convened to explore the possibilities of an international LODLAM project focused on World War I, the centennial commemoration of which is fast approaching. The Civil War Data 150 project we’ve been slowly moving forward in the US may provide a rough framework to build from. At least a half dozen or more libraries, archives and museums have expressed interest in participating in a WWI project already. First steps may be identifying openly licensed datasets to be contributed, key vocabularies and ontologies to apply, and ideas for visualizations that would leverage the use of Linked Open Data. For anything to happen here, someone will need to take the lead in organizing (not me, we’re still trying to build some tools around the Civil War Data 150 concept!). Good notes were posted on the LODLAM blog about the conversation and how to convene future conversations. Anyone who gets involved with this, please spread the word and keep the LODLAM community apprised of your progress and ways to contribute.

We also had a workshop on using Google Refine by Carlos Arroyo from the Powerhouse Museum, with props to the FreeYourMetadata crew. Some lively sessions dug into just what and how Linked Data is and some of the pitfalls and potentials. Another session explored the importance and potential of local vocabularies, and how they can contribute to Linked Data implementations. One great example was the vocabulariessurrounding Maori artifacts (Taonga) at Te Papa, and how publishing those datasets can aid other museums around the world to better describe and provide digital access to Maori collections.

As I’ve attended various LODLAM meetups since June, I’ve noticed clear momentum from one to another as these conversations progress rapidly, with those further along helping those of us just learning. After LODLAM-DC I realized the importance of including library, archive, and museum vendors in all of these gatherings. At LODLAM-NZ I could see the potential of bringing together developers in the GLAM sector and those utilizing Linked Data in commercial settings. In places like San Francisco, where commercial interests are already leading the charge on Linked Data (which is not a bad thing) and there’s an active Semantic Web developer community, the GLAM sector may be playing catchup. But the sheer number of datasets potentially available as open data coming from the GLAM sector, together with the expertise of managing massive amounts of structured data, creates a space ripe for collaboration and experimentation, and these lines will continue to blur.

I attended the LODLAM meeting last week in Wellington, New Zealand as a relative newcomer to the concept of linked open data.

One of the questions the meeting tried to answer was “what are the best use cases for linked data?” “What is a use case that is compelling enough to warrant our investment in creating linked data?”

One comparison made* was that of Charles Darwin making his notes on the voyage of The Beagle. Did Darwin record merely a list of points in tabular notebook? No, he recorded his observations in journal form and his ideas were slowly organised over years. In his journal of assertions Darwin found connections and common themes emerging over time.

Linked open data is a series of assertions in the form of subject/predicate/object. Ideally this is not on isolated sets of data but across open sets of data on the web. Complex topics are made up of assertions of varying degrees of authority. Linked open data is a better representation of knowledge on the web.

There are problems with each of the three parts of the linked open data triple. The subject may require disambiguation. E.g. Which “Hamilton” are we referring to? We need some consistency in the language used for the predicate. E.g. How do we describe relationships between people? The objects that we refer to may not be trustworthy. How do we choose sets of data we are confident to refer to? These problems with linked open data perhaps aren’t problems after all – it’s a system that reflects the uncertainties of the real world.

This reminded me of Aaron Cope’s paper “The Interpretation of Bias”. By reverse-geocoding photo locations in Flickr, maps could be drawn which better represented the disputed boundaries of each named place.

In the same way, linked open data may give us a way to better describe grey knowledge – all of the objects that are grey around the edges.

* please comment if you recall who made this comparison

Thanks @fogonwater!

These notes are rough, and may not have captured everything. The session started with a discussion about URL structures, and how/if to use regimental or service numbers in those URLs. Regimental numbers are not always unique, and in Australia, some First World War servicemen and women were not issued the numbers. There are also some duplicates and multiple numbers allocated to some individuals.
The Auckland War Memorial Museum’s Cenotaph project has delivered a web page for each serviceman and woman. Many include links to digitised service records at the archives. There is good metadata about place, people, things and ships.

With place names, need to share a vocabulary to describe the places and link to geo codes. Auckland War Memorial Museum also has some 1200 links from Wikipedia to their collection, especially official histories.
There was discussion about using latitude and longitude as battles were large and took place over, sometimes, large areas. It is possible to use a regional scale or bounding boxes to specify an area. The metaphor of place was mentioned: for instance, Heaven is a place with no lat and long. Kiwi troops in WW2 used Hitler as a word for the enemy, and where the enemy was. Some place names are specific to a time, e.g Western Front, Baby 700, Quinn’s Post. How do you take the particularity and scale it to the concepts? How do you show the links? There is no need to be making new vocabularies, we can use what already exists.

Jon talked about the process followed with the American Civil War project, and said it was useful to think about ​what vocabularies can we use? What apps are we envisaging, how will people use these?​ and how to get data sets together. There is policy work to be done here within organisations.
For the Civil war work, they use ​Freebase as a rosetta stone, mapping places to it, using things like Library of Congress subject headings. Suggestion is to start simple with geo codes. Start with the easiest things, maybe battles? Consider what would it look like to map a campaign and how would that look, and how would it be used?
​Then we started to talk about how we march up work on the two sides of the Tasman. Do we use Wikipedia? Make a commitment to publish semantically marked up data. Don’t have to use Wikipedia, look at how what we have compares to freebase, publish data as a CSV file so that others can use it. (as a sidebar, though this was not discussed, we have to remember to tell people when we publish this material).

The discussion turned back to URLs for a moment, while we looked again at a structure someone had propposed: http://domain/ww1/NZ/person/identifier. one thought was to go with dumbest possible format for persistent URL, and that the URL above above might be better to use as a URI. Do we need a tool to help small organisations to link what they have with what the larger organisations are doing?

Working out where to start is an issue, and there was discussion about how we could use the Commonwealth War Graves Commission data. Key thing is a persistent URL. Can go a long way down the track without talking to others. Internal commitment to persistent URIs. People, places, events, ships can all have a page, and then we can be ready to start linking. We have our own subjects and out in the world are the objects, we just have to agree on the verbs. First, publish data, make it available, then work on linking . What happens if we don’t do this? To have any chance of guiding what happens to our data, we need to be working to get it out, to work with other organisations in this WW100 domain. We also need to let people do stuff with the data, make it available and let people use, and re-use it. Put it within some sort of context, make use of the community of interest that we have here (that is, the organisations represented at this meeting, as well as others who have also expressed interest on both sides of the Tasman). Once we have data in a CSV file, other people can make the RDF.

We need to work out a way to keep in contact. Do we need to set up a Google Group?

Thanks to Kris Carpenter Negulescu and the team at the Internet Archive, as well as Asa Letourneau, we’re adding an archive of session notes recorded on easel pads during the SF Summit. The images are available through the Public Record Office Victoria Flickr set, and you can also download a Word Doc or .rtf version of the transcriptions. The latter are numbered, though I don’t think we’ve mapped the images to the numbered transcriptions, which may be helpful.